In this revelatory and enthralling book, award-winning historian Richard Bell reveals the full breadth and depth of America’s founding event. The American Revolution was not only the colonies’ triumphant liberation from the rule of an overbearing England; it was also a cataclysm that pulled in participants from around the globe and threw the entire world order into chaos. Repositioning the Revolution at the center of an international web, Bell’s narrative ranges as far afield as India, Africa, Central America, and Australia. As his lens widens, the “War of Independence” manifests itself as a sprawling struggle that upended the lives of millions of people on every continent and fundamentally transformed the way the world works, disrupting trade, restructuring penal systems, stirring famine, and creating the first global refugee crisis. Bell conveys the impact of these developments at home and abroad by grounding the narrative in the gripping stories of individuals—including women, minorities, and other disenfranchised people. The result is an unforgettable and unexpected work of American history that shifts everything we thought we knew about our creation story.

Richard Bell is Professor of History at the University of Maryland and author of the book Stolen: Five Free Boys Kidnapped into Slavery and their Astonishing Odyssey Home which was a finalist for the George Washington Prize and the Harriet Tubman Prize. He has held major research fellowships at Yale, Cambridge, and the Library of Congress and is the recipient of the National Endowment of the Humanities Public Scholar award and the Andrew Carnegie Fellowship. His new book, The American Revolution and the Fate of the World, was published by Penguin in November 2025.

Caitlin Marshall (PhD Performance Studies, University of California Berkeley) is a theater and performance historian and practice based researcher. Her manuscript in progress, “Power in the Tongue: Sounding America in Red, Black, and Brown,” is a cultural history of what it meant to sound American in the nation’s first independent century. Along with Shellée Haynesworth (Black Broadway on U) she is a co-producer and lead researcher of the new musical, At the S Street Salon, based on the archived letters of Georgia Douglas Johnson.

If you’d like to purchase this title online and still support People’s Book, follow the link below:

https://bookshop.org/a/88548/9780593719510

This is an in-person event. Seated capacity at People’s Book is 50 patrons. Standing room is an option. All events are first-come, first-served seating. Accessible seating is always available.